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The Pavilion is sited within a constructed landscape of water and tall bamboo imported from the province of Anji, in southern China. Over 4,000 stalks of seven bamboo species were planted in the garden, on the facade, throughout the building, and on the roof. The building and landscape were designed by our frequent creative partner, Urban A&O. |
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The exhibition begins with a passageway into a field of video screens showing individuals from around the world reflecting on the meaning of caring. The videos were created by Local Projects. |
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The exhibition begins with a passageway into a field of video screens showing individuals from around the world reflecting on the meaning of caring. The videos were created by Local Projects. |
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The exhibit features perspectives on ways, large and small, that we can care for ourselves and for each other. Throughout the pavilion, the balance of light and darkness, long views and near focus were carefully coordinated with our creative partner, the pavilion architect and landscape designer Urban A&O. |
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The epic message of caring, reinforced by the large, anthem-like video on the right, is balanced by a view of Johnson & Johnson as a part of everyday life, of ordinary acts of care for ourselves and each other. |
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The first leg of the exhibition culminates in an exhibit that approaches ways of addressing serious health issues around the world, through research, philanthropy and public health initiatives. |
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This part of the exhibition is encircled by a photography exhibition featuring the work of the international photojournalism agency VII, curated by Sarah Hasted and Bill Hunt, of the noted New York gallery Hasted Hunt. |
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The ribbon-like display of photojournalism leads into an exhibit that shows the ways medical devices and technologies can restore mobility and vitality. A DePuy, Inc. artificial cervical disc is in foreground. |
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The ribbon-like display of photojournalism leads into an exhibit of medical devices and technologies that can restore mobility and vitality. Acuvue® contact lenses are shown in foreground. |
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The ribbon-like display of photojournalism leads into an exhibit of medical devices and technologies that can restore mobility and vitality. Cordis Corporation stents that restore blood flow to clogged arteries are in foreground. |
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The exhibit of medical devices and technology culminates in a widescreen, high-definition video presentation utilizing our patented Bi-Vision technology that creates the illusion of 3-D without glasses. The 5m-wide video was produced by UVPH in New York. |
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The exhibit of medical devices and technology culminates in a widescreen, high-definition video presentation utilizing our patented Bi-Vision technology that creates the illusion of 3-D without glasses. The 5m-wide video was produced by UVPH in New York. |
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To emphasize global sustainability initiatives, we created a playful environment surrounded by living and dried bamboo. The interactive projection on the floor reacts to the speed of visitors' movements by either growing a garden of flowers or turning to dust. It was produced by Scott Snibbe. |
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A special high-definition, widescreen film introduces the Qin Shi Huang Terracotta Warrior exhibit. The 2,200 year old artifacts were lent to Johnson & Johnson by the Qin Shi Huang Terracotta Army Museum because of a longstanding relationship between the Museum and Johnson & Johnson to protect the Warriors from airborne fungi that began to attack them soon after they were exhumed. |
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A special high-definition, widescreen film introduces the Qin Shi Huang Terracotta Warrior exhibit. The 2,200 year old artifacts were lent to Johnson & Johnson by the Qin Shi Huang Terracotta Army Museum because of a longstanding relationship between the Museum and Xi'an Janssen Pharmaceuticals, a Johnson & Johnson company in China, to protect the Warriors from airborne fungi that began to attack them soon after they were exhumed. |
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The high-definition theatre holds up to 150 people at a time. |
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The theatre opens directly into an exhibition of 2,200 year-old Terracotta Warriors and other artifacts lent by the Qin Shi Huang Terracotta Army Museum in Xi'an. For many visitors, this was their first opportunity to see these astonishing antiquities. |
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The theatre opens directly into an exhibition of 2,200 year-old Terracotta Warriors and other artifacts lent by the Qin Shi Huang Terracotta Army Museum in Xi'an. For many visitors, this was their first opportunity to see these astonishing antiquities. |
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The theatre opens directly into an exhibition of 2,200 year-old Terracotta Warriors and other artifacts lent by the Qin Shi Huang Terracotta Army Museum in Xi'an. For many visitors, this was their first opportunity to see these astonishing antiquities. |
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The theatre opens directly into an exhibition of 2,200 year-old Terracotta Warriors and other artifacts lent by the Qin Shi Huang Terracotta Army Museum in Xi'an. For many visitors, this was their first opportunity to see these astonishing antiquities. |
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The theatre opens directly into an exhibition of 2,200 year-old Terracotta Warriors and other artifacts lent by the Qin Shi Huang Terracotta Army Museum in Xi'an. For many visitors, this was their first opportunity to see these astonishing antiquities. |
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The Terracotta Warriors were installed by a skilled team from the Qin Shi Terracotta Army Museum in Xi'an. |
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The Terracotta Warriors were installed by a skilled team from the Qin Shi Terracotta Army Museum in Xi'an. |
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The Terracotta Warriors were installed by a skilled team from the Qin Shi Terracotta Army Museum in Xi'an. |
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The Terracotta Warriors were installed by a skilled team from the Qin Shi Terracotta Army Museum in Xi'an. |
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The Terracotta Warriors were installed by a skilled team from the Qin Shi Terracotta Army Museum in Xi'an. |
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The "Cloud Garden" on the Pavilion's landscaped roof affords a spectacular view of the "Birds Nest" National Stadium, the "Water Cube", and the entire Olympic Green. |